Chinese painting: Qing

After the Manchus founded the Qing dynasty in 1644, Chinese painting grew more varied. The Orthodox School followed a canon of earlier masters endorsed by Dong Qichang, while individualists such as Zhu Da rejected conventions for personal expression. In the 1700s the Eight Eccentrics of Yangzhou rejected orthodox ideas, and in the 1800s Shanghai had its own school. Connected places: Nanjing · Yangzhou · Shanghai.

• One of Sixteen Album LeavesHu Gongshou, Qing dynasty (1644–1911), dated 1882
• Lotus and WaterfowlAttributed to Zhu Da, Qing dynasty (1644–1911), 1697
• Landscape with FiguresRen Yi, Qing dynasty (1644–1911), dated 1883
• Mynah and Lotus 鷯哥荷花圖Ren Yi, Qing dynasty (1644–1911), 1885
• The Five VirtuesRen Yi, Qing dynasty (1644–1911), 1895
• Landscape in the Style of Dong Yuan and JuranGong Xian, c. 1650
• Summer in the Water CountryGong Xian, 1670s
• Conversation in AutumnHua Yan, 1732
• Album of Landscape Paintings Illustrating Old Poems: Listening to the QinHua Yan, 1745
• Album of Landscape Paintings Illustrating Old Poems: Man with a Staff Admires Chrysanthemums at a FenceHua Yan, 1745
• Landscapes in Various Styles after Old MastersMei Qing, 1690
• Nine Dragon PoolMei Qing, 1690s
• Elephant, Horse, and HareMin Zhen, 1788
• Cat and ButterflyMin Zhen, 1788
• Spring Mist over JiangnanShitao, 1697
• Tall Bamboo and Distant Mountains, after Wang MengWang Hui, 1694
• Mountain Village Embraced by the SummerWang Shimin, 1659
• Landscape after Wang MengWang Shimin, Qing dynasty (1644–1911), 1664
• Landscape after Huang GongwangWang Yuanqi, Qing Dynasty (1644–1911); dated 1701
• Landscape after Ni ZanWang Yuanqi, 1707
• Album of Seasonal Landscapes, Leaf A (previous leaf 4)Xiao Yuncong, 1668
• Landscape Album in Various Styles: The Stream of WulingZha Shibiao, 1684
• Landscape after Guo ZhongshuZhu Da, c. 1680–1705