Neoclassicism
25 artworks from public collections
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In the later 1700s artists turned back to ancient Greece and Rome, and to painters such as Raphael and Poussin, for noble, clear forms. Excavations in Italy and a renewed belief that art should teach drove the change. In London, Reynolds spoke of the grand manner. The style lasted into the early 1800s. Clear contours, carefully arranged figures and sculptural forms often signal a Neoclassical interest in ancient art. Renewed study of Greek and Roman objects offered models for composition as well as stories about duty and public virtue. The same concern for line and structure could shape a portrait. Compare the controlled surface with the emotion of the subject: Neoclassicism and Romanticism overlapped in artists’ training and practice, rather than forming completely separate worlds. Connected places: Rome · Paris · London.
Mrs. Hugh Morgan and Her Daughter
The Muse
The Death of Procris
The Expulsion of Adam and Eve from Paradise
Alexander's Confidence with his Physician Philip
A Dancing Young Woman as Terpsichore
The Meeting of Orestes and Hermione
The Oath of the Seven Chiefs against Thebes
Elizabeth Shewell West and Her Son, Raphael
George III
British Manufactory; A Sketch
Madame Grand (Noël Catherine Vorlée, 1761–1835)
Alexandre Charles Emmanuel de Crussol-Florensac (1743–1815)
Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848)
Figure Studies
Saint Ambrose
Madame François Buron
Villa in the Campagna
Head of a Woman
Madame de Pastoret and Her Son
Portrait of Jeanbon Saint-André
Portrait of the Artist's Mother
Women and Children Mourning a Dead Man
Lady Sarah Bunbury Sacrificing to the Graces
Portrait of Catherine Grey, Lady Manners
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