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Madame Grand (Noël Catherine Vorlée, 1761–1835)

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Follow her raised eyes, then look down at the blue ribbons, the sheet of music in her hand and the green velvet behind her.

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Vigée Le Brun showed this portrait at the Salon of 1783, the year she joined the French Royal Academy as one of only four women members. The sitter, born in India and later the wife of the statesman Talleyrand, looks up with parted lips as if singing, a sheet of music in her hand. A reviewer that year praised its bewitching sensuality, though the Met finds the singing pose odd in a portrait in modern dress.

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Oil on canvas · Oval, 36 1/4 x 28 1/2 in. (92.1 x 72.4 cm · The Metropolitan Museum of Art · Neoclassicism

Read more at The Metropolitan Museum of Art

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Details and source

Museum title
Madame Grand (Noël Catherine Vorlée, 1761–1835)
Artist
Elisabeth Louise Vigée Le Brun (French, Paris 1755–1842 Paris)
Date
1783
Medium
Oil on canvas
Dimensions
Oval, 36 1/4 x 28 1/2 in. (92.1 x 72.4 cm)
Credit line
Bequest of Edward S. Harkness, 1940
Image license
CC0 1.0 · Public domain
Museum record
The Metropolitan Museum of Art

Artist’s life 1755–1842

Neoclassicism c. late 1700s–early 1800s

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Galler’s rooms and hanging scale are imagined. The image is the museum’s original digital reproduction.

Madame Grand (Noël Catherine Vorlée, 1761–1835) · Élisabeth Vigée Le Brun, 1783
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Madame Grand (Noël Catherine Vorlée, 1761–1835), Élisabeth Vigée Le Brun

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