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Madame de Pastoret and Her Son

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Look for the needle and thread that were never painted, then at the baby asleep in the wooden cradle at the right.

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David painted Adélaïde de Pastoret with her baby son, born early in 1791, asleep beside her, but the upheavals of the Revolution probably left the picture unfinished. He completed the stippled underpainting but not the smooth surface of his finished works, and never even added the needle and thread she should be holding. David was then a committed revolutionary and her husband a firm royalist; she refused the portrait, and after David’s death her grown son bought it from his estate.

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Oil on canvas · 129.8 × 96.6 cm · Art Institute of Chicago · Neoclassicism

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Museum title
Madame de Pastoret and Her Son
Artist
Jacques-Louis David (French, 1748–1825)
Date
1791–92
Medium
Oil on canvas
Dimensions
129.8 × 96.6 cm (51 1/8 × 38 in.); French: 156.3 × 123.6 cm (61 1/2 × 48 5/8 in.)
Credit line
Clyde M. Carr Fund and Major Acquisitions Endowment
Image license
CC0 1.0 · Public domain
Museum record
Art Institute of Chicago

Artist’s life 1748–1825

Neoclassicism c. late 1700s–early 1800s

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Galler’s rooms and hanging scale are imagined. The image is the museum’s original digital reproduction.

Madame de Pastoret and Her Son · Jacques Louis David, 1791–92
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Madame de Pastoret and Her Son, Jacques Louis David

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