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Persian manuscripts

4 artworks from public collections

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Painters in Iran illustrated books: a treatise on the usefulness of animals, Nizami’s Khamsa and Firdawsi’s Shahnama, whose illustrated copies appear from the early 1300s in Baghdad, Tabriz and Shiraz. Under the Safavid dynasty (1501 to 1722), painters worked at Tabriz and later at Isfahan. Precise lines, patterned surfaces and vivid color can give a small manuscript image extraordinary detail. Persian book arts join painting with calligraphy, illumination and the shaping of a page. Poetry, history and courtly life provided subjects, while workshops in centers such as Tabriz and Herat developed distinct approaches. This small selection also contains calligraphic and illustrated manuscript leaves: look at how writing and image share the surface, without assuming every page was made for the same kind of book. Connected places: Iran · Tabriz · Isfahan.

Museum reproductions, with sources and image credits on every artwork page. Galler is an independent virtual museum.

Style introduction: Harvard Art Museums · Word and Image in Persian Painting, Art Institute of Chicago · King Anushirwan and the Owls, Art Institute of Chicago · Viper in a Rocky Garden, Art Institute of Chicago · Royal Horse Inspection, The Met · The Shahnama of Shah Tahmasp, The Met · The Making of a Persian Royal Manuscript.