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The Muse

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Compare the soft brown tones of the aquatint in the shadows and the stone behind her with the fine etched lines that shape her drapery.

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A young woman in loose classical dress leans on a stone block among ruins and gazes aside. Angelica Kauffmann etched the plate herself, and the lettering at lower left names her as both painter and printmaker. The Art Institute of Chicago dates it to 1766, when she had settled in London; there she became one of the two women among the Royal Academy’s founders.

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Etching with aquatint, on ivory laid paper · Image: 19.5 × 15.5 cm · Art Institute of Chicago · Neoclassicism

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Details and source

Museum title
The Muse
Artist
Angelica Kauffmann Swiss, 1741-1807
Date
1766
Medium
Etching with aquatint, on ivory laid paper
Dimensions
Image: 19.5 × 15.5 cm (7 11/16 × 6 1/8 in.); Plate: 21.5 × 16.5 cm (8 1/2 × 6 1/2 in.); Sheet: 23.5 × 18.5 cm (9 5/16 × 7 5/16 in.)
Credit line
Purchased with funds provided by Sondra Ward Eisenberg in honor of the Docent Program of The Art Institute of Chicago
Image license
CC0 1.0 · Public domain
Museum record
Art Institute of Chicago

Artist’s life 1741–1807

Neoclassicism c. late 1700s–early 1800s

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Galler’s rooms and hanging scale are imagined. The image is the museum’s original digital reproduction.

The Muse · Angelica Kauffmann, 1766
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The Muse, Angelica Kauffmann

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