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Artists

467 artists, 2737 works from public collections

The Prairie on Fire, Alvan Fisher

1792–18631 work

Alvan Fisher’s The Prairie on Fire takes its subject from James Fenimore Cooper’s novel The Prairie. Small figures face a spreading danger in a vast landscape. The contrast of light and darkness gives the scene its drama, while the surrounding grasses keep the land itself in view. Compare the scale of the people with the space they must cross or shelter within.

Walk1 work
Mor og barn, Anna Ancher

1859–19358 works

A mother and child, a woman arranging her hair, and people at work. Explore paintings that bring attention to the light and color of everyday interiors.

Walk8 works
Rochambeau, Anna Lea Merritt

1844–19301 work

Anna Lea Merritt’s etching of Rochambeau builds a formal portrait from lines. The dark hat anchors the face, while fine marks describe the uniform and the turning edge of the shoulder. Look closely at the shift from those dense textures to the lightly worked background and the open paper around the figure.

Walk1 work
Esther before Ahasuerus, Artemisia Gentileschi

1593–1654 or later1 work

  • Baroque

Esther approaches the king and loses her strength before him. Gentileschi turns this biblical encounter into a scene of gestures, rich clothing and attendants holding the queen upright.

Walk1 work
Rose Laying the Table, Astrid Holm

1876–19373 works

Rose lays a table, buildings fill a view of Collioure, and blue cloth anchors a still life. Explore paintings that move between people, places and arranged objects.

Walk3 works
Jain Ascetic Walking Along a Riverbank, Basavana

Active c. 1560–16004 works

  • South Asian painting

Look at a bowed head, a reaching hand or a fold of cloth. These small paintings invite close attention to the people within the story.

Walk4 works
Jackson Hollow, Bertha E. Jaques

1863–19411 work

Bertha E. Jaques’s Jackson Hollow invites a slow look at a wooded waterside. Etched lines gather into dark trees, exposed roots and reflected shapes, then loosen across the light ground. The print offers a landscape at an intimate scale: follow the changing density of its marks to see how branches, banks and water become distinct.

Walk1 work
View from a Harbour in Paris, Bertha Wegmann

1846/1847–19264 works

Meet a sitter’s gaze or look across a quiet harbor. These portraits and studies offer different ways of observing a person and their surroundings.

Walk4 works
Purple Plums, Carducius Plantagenet Ream

1838–19171 work

  • Realism

Carducius Plantagenet Ream’s Purple Plums invites attention to a small group of fruit. Their skins, stems and shifting colors offer different surfaces to compare. Move from the overall arrangement to the reflected light and shadows, and notice how a familiar subject becomes a study of volume and texture.

Walk1 work
Portrait of a Government Official, Chae Yongshin

1850–19411 work

  • Korean painting

Chae Yongshin’s portrait of an official combines close attention to a face with the elaborate details of court dress. The sitter’s embroidered crane badge, folded fan and patterned robe explain his public role, while his expression makes the image feel individual. The surrounding chair, skin and mat add further textures.

Walk1 work
James William Wallack, Charles Robert Leslie

1794–18591 work

Charles Robert Leslie’s portrait of James William Wallack presents a named sitter through face, dress and pose. Look at where the painter concentrates detail and where the surrounding space becomes quieter. The contrast gives a starting point for comparing this image with the other nineteenth-century portraits in the collection.

Walk1 work
Lady Xuanwen Giving Instruction on the Rites of Zhou, Chen Hongshou

1598/99–16527 works

  • Chinese painting: Ming
  • Chinese painting

Chen Hongshou gives figures an unusual presence through elongated faces, flowing robes and carefully controlled outlines. His subjects range from a woman teaching classical texts to a Buddhist holy man and a chrysanthemum growing beside a rock. Look for the same attention to contour across people, fabric and plants.

Walk7 works
Thomas Abthorpe Cooper (1776-1849), Chester Harding

1792–18661 work

Chester Harding portrays the actor Thomas Abthorpe Cooper. The painting brings a person known for appearing before an audience into the still format of a portrait. Look at the expression, pose and clothing as parts of that presentation, without assuming the sitter is playing a particular role.

Walk1 work
Grapevine, Choe Seok-hwan

active first half of 19th century1 work

  • Korean painting

Choe Seok-hwan carries a grapevine across eight screen panels, changing the weight and tone of the ink as it turns. Leaves, tendrils and bunches of fruit gather into an arrangement that suggests wind and movement. Cleveland describes the composition as a response to Korea’s stormy summer season. The open spaces between the branches keep the vine legible even as it curves across the entire screen.

Walk1 work
A View of Lake Sortedam from Dosseringen Looking towards the Suburb Nørrebro outside Copenhagen, Christen Købke

1810–18485 works

  • Romanticism

A quiet lake, a cathedral interior and a fellow painter’s portrait. Move from finely observed Danish settings to the rough sea along Capri’s rocky coast.

Walk5 works
The Seamstress, Christian Krohg

1852–19252 works

A seamstress rests beside her sewing machine and a child receives a bath. These paintings invite you into ordinary rooms, where posture, light and a few carefully observed objects give each scene its character.

Walk2 works