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Ecce Agnus Dei

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Find the eagle at upper left and the winged bull at upper right with their Latin banners, then follow John’s pointing hand across to Jesus.

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About 1655 Murillo painted four large canvases on John the Baptist for San Leandro, a convent in his home city of Seville, and this is one. John points to Jesus, while verses from the gospels of Luke and John hang in the clouds beside the eagle and winged bull, emblems of those two evangelists. Its softer, hazier handling shows Murillo leaving behind the crisp edges and strong shadows he took from Zurbarán.

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Oil on canvas · 270.2 × 184.5 cm · Art Institute of Chicago · Baroque

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Details and source

Museum title
Ecce Agnus Dei
Artist
Bartolomé Esteban Murillo (Spanish, 1617–1682)
Date
c. 1655
Medium
Oil on canvas
Dimensions
270.2 × 184.5 cm (106 3/8 × 72 5/8 in.); Framed: 317 × 232 cm (124 13/16 × 91 3/8 in.)
Credit line
Louise B. and Frank H. Woods Purchase Fund
Image license
CC0 1.0 · Public domain
Museum record
Art Institute of Chicago

Baroque c. 1600–1750

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Galler’s rooms and hanging scale are imagined. The image is the museum’s original digital reproduction.

Ecce Agnus Dei · Bartolomé Esteban Murillo, c. 1655
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Ecce Agnus Dei, Bartolomé Esteban Murillo

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