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Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana)

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Compare the dress’s blue-and-white stripes with the fan’s delicate pattern, then look at how differently the background figure and signs are painted.

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Gauguin painted Tehamana in 1893; his partly fictional account says she was thirteen when they met. Her missionary-style dress and Samoan fan appear beside symbols drawn from Rapa Nui tablets and from Polynesian and Hindu imagery. These references express Gauguin’s construction of Tahiti, rather than a reliable account of the sitter’s beliefs or ancestry.

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Oil on jute canvas · 75 × 53 cm · Art Institute of Chicago · Post-Impressionism

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Details and source

Museum title
Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana)
Artist
Paul Gauguin (French, 1848–1903)
Date
1893
Medium
Oil on jute canvas
Dimensions
75 × 53 cm (29 1/2 × 20 7/8 in.); Framed: 98.8 × 76.6 × 8.3 cm (38 7/8 × 30 1/8 × 3 1/4 in.)
Credit line
Gift of Mr. and Mrs. Charles Deering McCormick
Image license
CC0 1.0 · Public domain
Museum record
Art Institute of Chicago

Artist’s life 1848–1903

Post-Impressionism c. 1886–1905

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Galler’s rooms and hanging scale are imagined. The image is the museum’s original digital reproduction.

Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana) · Paul Gauguin, 1893
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Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana), Paul Gauguin

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