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Mahana no atua (Day of the God)

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Follow the colored shapes through the foreground water, then compare their curves with the reclining bodies above them. Which shapes appear to echo one another?

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Gauguin painted this scene in Paris in 1894 after returning from his first Tahitian stay. It combines memory and invention, rather than documenting a ceremony he witnessed. An idol and repeated groups of figures rise above water broken into broad, interlocking colors. Those invented arrangements turn the setting into a symbolic composition.

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Oil on linen canvas · 68 × 91 cm · Art Institute of Chicago · Post-Impressionism

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Details and source

Museum title
Mahana no atua (Day of the God)
Artist
Paul Gauguin (French, 1848–1903)
Date
1894
Medium
Oil on linen canvas
Dimensions
68 × 91 cm (26 7/8 × 36 in.); Framed: 87.7 × 110.5 × 6.4 cm (34 1/2 × 43 1/2 × 2 1/2 in.)
Credit line
Helen Birch Bartlett Memorial Collection
Image license
CC0 1.0 · Public domain
Museum record
Art Institute of Chicago

Artist’s life 1848–1903

Post-Impressionism c. 1886–1905

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Galler’s rooms and hanging scale are imagined. The image is the museum’s original digital reproduction.

Mahana no atua (Day of the God) · Paul Gauguin, 1894
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Mahana no atua (Day of the God), Paul Gauguin

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