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Operating on Guan Yu's Arm

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Follow the red stream from the surgeon’s hands into the wide dish below, then find Guan Yu, long-bearded and unmoved, leaning over his game.

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Katsushika Ōi, Hokusai’s third daughter and, the Cleveland Museum of Art suggests, perhaps his most devoted pupil, painted this episode from the fourteenth-century Chinese novel Romance of the Three Kingdoms. A surgeon scrapes poison from the general Guan Yu’s arrow wound while his attendants cower, yet Guan Yu stays fixed on his board game. It is her largest surviving painting, signed “Brush of Ōi, the woman Ei.”

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hanging scroll; ink, color, and gold on silk · Mounted: 206.7 x 73.1 cm · Cleveland Museum of Art

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Details and source

Museum title
Operating on Guan Yu's Arm
Artist
Katsushika Ōi (Japanese, c. 1800-after 1857)
Date
1840s
Medium
hanging scroll; ink, color, and gold on silk
Dimensions
Mounted: 206.7 x 73.1 cm (81 3/8 x 28 3/4 in.); Painting: 140.2 x 68.3 cm (55 3/16 x 26 7/8 in.)
Credit line
Kelvin Smith Fund
Image license
CC0 1.0 · Public domain
Museum record
Cleveland Museum of Art

Ukiyo-e c. 1600–1900

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Galler’s rooms and hanging scale are imagined. The image is the museum’s original digital reproduction.

Operating on Guan Yu's Arm · Katsushika Ōi, 1840s
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Operating on Guan Yu's Arm, Katsushika Ōi

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