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Christ and the Virgin in the House at Nazareth

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Look at the finger the boy has just pricked and the tears on Mary’s cheek, then at the tilted table with its books and fruit.

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The young Jesus weaves a crown of thorns and pricks his finger, a sign of his future suffering on the cross, while his mother watches with tears on her face. Zurbarán seems to have invented this scene rather than taking it from the Bible, at a time when stories of Christ’s childhood were popular because anyone could follow them. The canvas is large, but its mood is hushed and domestic.

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oil on canvas · Framed: 201 x 256 x 10 cm · Cleveland Museum of Art · Baroque

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Details and source

Museum title
Christ and the Virgin in the House at Nazareth
Artist
Francisco de Zurbarán (Spanish, 1598–1664)
Date
c. 1640
Medium
oil on canvas
Dimensions
Framed: 201 x 256 x 10 cm (79 1/8 x 100 13/16 x 3 15/16 in.); Unframed: 165 x 218.2 cm (64 15/16 x 85 7/8 in.)
Credit line
Leonard C. Hanna Jr. Fund
Image license
CC0 1.0 · Public domain
Museum record
Cleveland Museum of Art

Artist’s life 1598–1664

Baroque c. 1600–1750

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Galler’s rooms and hanging scale are imagined. The image is the museum’s original digital reproduction.

Christ and the Virgin in the House at Nazareth · Francisco de Zurbarán, c. 1640
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Christ and the Virgin in the House at Nazareth, Francisco de Zurbarán

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