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Landscape with Trees in the Manner of Ni Zan (1301–1374)

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Count the slender trunks rising from the rocks, then look at the strokes that shape those rocks and at the bare paper left all around them.

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As its title says, Dong Qichang painted this in the manner of the Yuan master Ni Zan. The Met explains that Dong saw Ni’s spare style as a calligraphic distillation of the 10th-century master Dong Yuan, so he rebuilt Ni’s landscape with Dong Yuan’s hemp-fiber texture strokes. In his hands, landscape forms became abstractions close to calligraphy. His friend Chen Jiru added a colophon, and Wang Wenzhi another in 1786.

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Hanging scroll; ink on paper · Image: 45 1/2 × 18 in. (115.6 × 45.7 cm · The Metropolitan Museum of Art · Chinese painting: Ming

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Details and source

Museum title
Landscape with Trees in the Manner of Ni Zan (1301–1374)
Artist
Dong Qichang (Chinese, 1555–1636)
Date
ca. 1622–25
Medium
Hanging scroll; ink on paper
Dimensions
Image: 45 1/2 × 18 in. (115.6 × 45.7 cm) Overall with mounting: 94 7/8 × 27 1/2 in. (241 × 69.9 cm) Overall with knobs: 94 7/8 × 31 1/2 in. (241 × 80 cm)
Credit line
Bequest of John M. Crawford Jr., 1988
Image license
CC0 1.0 · Public domain
Museum record
The Metropolitan Museum of Art

Artist’s life 1555–1636

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Galler’s rooms and hanging scale are imagined. The image is the museum’s original digital reproduction.

Landscape with Trees in the Manner of Ni Zan (1301–1374) · Dong Qichang, ca. 1622–25
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Landscape with Trees in the Manner of Ni Zan (1301–1374), Dong Qichang

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