Sign in or join

Received Back into the Moon Palace-Taketori (Bamboo Cutter) from the series Twelve Aspects of the Moon, Tsukioka Yoshitoshi
Received Back into the Moon Palace-Taketori (Bamboo Cutter) from the series Twelve Aspects of the Moon, c. 1885/92

Tsukioka Yoshitoshi

1839–1892 · Ukiyo-e · 14 works

Tsukioka Yoshitoshi made woodblock prints and paintings during Japan’s transition from the Edo period into the Meiji era. He studied with Kuniyoshi and drew on legends, history, actors, and everyday behavior. His designs can hold a scene at an emotionally charged moment, allowing a gesture or a stretch of empty space to suggest what happens next. In the Bamboo Cutter story, for example, the old man appeals to Princess Kaguya as she returns to the moon. Looking across the prints reveals many ways of making an old story feel present.

Spot an error?

14 works · 1862–1889

In Received Back into the Moon Palace, follow the bamboo cutter’s gesture toward Kaguya. How does the space between them affect the moment?

1862–1867 · 4 works

Walk these 4

1876–1886 · 6 works

Walk these 6

Ukiyo-e stayed popular from the last decades of the Edo period into the Meiji period. Hokusai’s daughter Katsushika Ōi painted a scene from a Chinese novel, and Utagawa Kuniyoshi drew actors as wall graffiti. His pupil Tsukioka Yoshitoshi turned legend and history into prints, Ogata Gekkō won prizes at world’s fairs, and Tsukioka Kōgyo specialized in Noh.

In the museum: Ukiyo-e room · 2 works

1888–1889 · 4 works

Walk these 4

Original museum reproductions, with source records on every artwork page.

Artist information: British Museum, Art Institute of Chicago.

Public-domain art. An imagined museum; no museum affiliation.