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An Actors' Boating Party on the Sumida River, Torii Kiyonaga
An Actors' Boating Party on the Sumida River, c. 1789

Torii Kiyonaga

1752–1815 · Ukiyo-e · 12 works

Torii Kiyonaga gave fashionable Edo figures room to inhabit a world. His tall women and groups of companions occupy settings that feel spacious, with architecture, rivers, and streets extending their activities beyond a single pose. Trained in the Torii school, he eventually became its fourth head, continuing its connection to the theater while developing his own approach to figure prints. His work is especially rewarding when viewed as a whole arrangement: the distance between people, the direction of a glance, and a stretch of background all contribute to its balance.

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12 works · 1767–1789

In An Actors’ Boating Party on the Sumida River, compare the spaces between the figures with the open stretches of river.

1767–1777 · 4 works

Walk these 4

1778–1779 · 4 works

Walk these 4

1783–1789 · 4 works

Walk these 4

In the decades after full-color printing arrived in 1765, Katsukawa Shunshō dominated prints of kabuki actors and founded the influential Katsukawa school. Isoda Koryūsai, a pupil of Harunobu, and Torii Kiyonaga, whose manner came to set the tone for ukiyo-e, were best known for pictures of beautiful women. Shunshō and Koryūsai also painted, as their silk scrolls here show.

In the museum: Ukiyo-e room · 2 works

Original museum reproductions, with source records on every artwork page.

Artist information: Honolulu Museum of Art, Art Institute of Chicago.

Public-domain art. An imagined museum; no museum affiliation.