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Wild Geese Descending on a Sandbar, from Eight Views of Xiao-Xiang

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Follow the long line of geese from the upper left as it bends down toward the sandbars, then find the small pavilion among the trees at lower left.

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Wild geese coming down on a sandbar is another of the Eight Views of Xiao-Xiang. Tani Bunchō painted this leaf in 1788, in his mid-twenties. The Cleveland Museum of Art reads the inscriptions on the set as a sign that it was possibly ordered by Japanese Confucian scholars, newly prominent at the time, and Bunchō himself had grown up in a strongly Confucian family.

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album leaf remounted as a hanging scroll; ink and color on paper · Image: 29.5 x 49 cm · Cleveland Museum of Art

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Museum title
Wild Geese Descending on a Sandbar, from Eight Views of Xiao-Xiang
Artist
Tani Bunchō (Japanese, 1763–1841)
Date
1788
Medium
album leaf remounted as a hanging scroll; ink and color on paper
Dimensions
Image: 29.5 x 49 cm (11 5/8 x 19 5/16 in.); Overall: 129 x 67 cm (50 13/16 x 26 3/8 in.)
Credit line
Andrew R. and Martha Holden Jennings Fund
Image license
CC0 1.0 · Public domain
Museum record
Cleveland Museum of Art

Artist’s life 1763–1841

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Galler’s rooms and hanging scale are imagined. The image is the museum’s original digital reproduction.

Wild Geese Descending on a Sandbar, from Eight Views of Xiao-Xiang · Tani Bunchō, 1788
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Wild Geese Descending on a Sandbar, from Eight Views of Xiao-Xiang, Tani Bunchō

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