Sign in or join

See it hung

The Capture of Samson

Look first

  • What catches your attention?
  • Where does your eye go next?
  • What would you ask about this work?
Show me

Compare Delilah’s pale, relaxed body on the bed at left with Samson’s straining back as the soldiers drag him away.

Skip to the reading

Rubens painted this panel as a sketch for a larger picture commissioned by Nicolas Rockox, the mayor of Antwerp. Delilah has had Samson’s hair cut, taking away his strength, and soldiers seize him as he wakes. His twisting pose comes from ancient Roman sculpture, and the sharp contrasts of light and dark recall Tintoretto, whose Tarquin and Lucretia also hangs in this museum.

Spot an error?

Oil on panel · 50.4 × 66.4 cm · Art Institute of Chicago · Baroque

Read more at the Art Institute of Chicago

Sources

Look again

What do you notice now?

Try a quick sketch

Take a minute to sketch on any paper. No upload needed.

What did you draw first? What did you leave out?

Details and source

Museum title
The Capture of Samson
Artist
Peter Paul Rubens (Flemish, 1577-1640)
Date
1609–10
Medium
Oil on panel
Dimensions
50.4 × 66.4 cm (19 3/4 × 26 1/8 in.); Framed: 73.3 × 89.5 × 12.1 cm (28 7/8 × 35 1/4 × 4 3/4 in.)
Credit line
Robert A. Waller Memorial Fund
Image license
CC0 1.0 · Public domain
Museum record
Art Institute of Chicago

Artist’s life 1577–1640

Baroque c. 1600–1750

View in the Atlas

Galler’s rooms and hanging scale are imagined. The image is the museum’s original digital reproduction.

The Capture of Samson · Peter Paul Rubens, 1609–10
Fit
MuseumM
Shortcuts ?
Enter
Look closer
+ −
Zoom in / out
0
Fit the whole artwork
← → ↑ ↓
Pan the image while zoomed
← →
Previous / next artwork, outside this view
M
Enter or return to the museum
Esc
Close this view; press again to enter the museum

Tab moves between controls. Browser zoom shortcuts stay available.

The Capture of Samson, Peter Paul Rubens

+ − Zoom · Arrow keys pan · M Museum · Esc Close