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A Sheet of Anatomical Studies

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Follow the cords of muscle along each forearm into the clenched fists, then find the upturned face beneath them.

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Besides ancient sculpture, Rubens learned about the ideal human body from early anatomy books, which showed the muscles with the skin removed. He drew these two locked forearms and a face in that manner, in pen and ink, which cannot easily be blended or erased. The sheet is one of about a dozen he meant to publish as a book on anatomy; it never appeared, but years after his death a member of his workshop issued engravings that included these images.

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Pen and brown ink on ivory laid paper · 27.1 × 18.8 cm · Art Institute of Chicago · Baroque

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Details and source

Museum title
A Sheet of Anatomical Studies
Artist
Peter Paul Rubens Flemish, 1577-1640
Date
1600/10
Medium
Pen and brown ink on ivory laid paper
Dimensions
27.1 × 18.8 cm (10 11/16 × 7 7/16 in.)
Credit line
Regenstein Acquisition Fund
Image license
CC0 1.0 · Public domain
Museum record
Art Institute of Chicago

Artist’s life 1577–1640

Baroque c. 1600–1750

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Galler’s rooms and hanging scale are imagined. The image is the museum’s original digital reproduction.

A Sheet of Anatomical Studies · Peter Paul Rubens, 1600/10
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A Sheet of Anatomical Studies, Peter Paul Rubens

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