
Tsukioka Kôgyo
1869–1927 · Ukiyo-e · 8 works
Tsukioka Kōgyo devoted much of his work to Noh theater, making paintings and prints of its performers and stories as Japanese society changed around him. His theater prints preserve attention to costume, posture, and the concentrated action of a performance. A single figure can occupy much of a sheet without needing an elaborate setting. Across a series, small differences in stance or the handling of a sleeve become worth comparing. These images offer an entrance to a theatrical tradition as well as to the art of the woodblock print.
8 works · 1898/1903
Compare two performers’ poses. How do the angle of a sleeve and the placement of the feet change the figure’s presence?
Hagoromo, from the series "One Hundred No Dramas (Nogaku hyakuban)"1898/1903
Kumasaka, from the series "One Hundred No Dramas (Nogaku hyakuban)"1898/1903
Okina, from the series "One Hundred No Dramas (Nogaku hyakuban)"1898/1903
Seio-bo, from the series "One Hundred No Dramas (Nogaku hyakuban)"1898/1903
Shojo, from the series "One Hundred No Dramas (Nogaku hyakuban)"1898/1903
Soshi-arai Komachi, from the series "One Hundred No Dramas (Nogaku hyakuban)"1898/1903
Takasago, from the series "One Hundred No Dramas (Nogaku hyakuban)"1898/1903
Yu-ya, from the series "One Hundred No Dramas (Nogaku hyakuban)"1898/1903