Georges Seurat

Before his carefully divided color became widely known, Seurat explored the brighter palette and open brushwork of Impressionism. The Gardener shows that early interest through an ordinary outdoor task. The connecting doors lead to the more systematic painting represented in his later rooms.

In the museum: Impressionism room · 1 work

• A Man Leaning on a Parapetca. 1881
• Landscape at Saint-Ouen1878 or 1879
• The Forest at Pontaubert1881
• The Mower1881–82
• The Gardener1882–83
• View of the Seine1882–83

In the museum: Post-Impressionism room · 4 works, Neo-Impressionism room · 3 works

• Final Study for "Bathers at Asnières"1883
• Study for "Bathers at Asnières"c. 1883–84
• A Sunday on La Grande Jatte — 18841884–86, border added 1888–89
• Oil Sketch for "A Sunday on La Grande Jatte — 1884"1884
• Seated Woman with a Parasol (study for La Grande Jatte)1884/85
• Study for "A Sunday on La Grande Jatte"1884
• Study for "A Sunday on La Grande Jatte"1884
• Trees (study for La Grande Jatte)1884

In the museum: Neo-Impressionism room · 2 works

• Gray Weather, Grande Jatteca. 1886–88
• At the Concert Parisien1887–88
• Circus Sideshow (Parade de cirque)1887–88

Before his carefully divided color became widely known, Seurat explored the brighter palette and open brushwork of Impressionism. The Gardener shows that early interest through an ordinary outdoor task. The connecting doors lead to the more systematic painting represented in his later rooms.

In the museum: Impressionism room · 1 work

In the museum: Post-Impressionism room · 4 works, Neo-Impressionism room · 1 work

In the museum: Neo-Impressionism room · 4 works