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Ponciano Díaz and His Charros in Madrid, Manuel Manilla
Ponciano Díaz and His Charros in Madrid, 1889

Manuel Manilla

1830–c. 1900 · 2 works

Manuel Manilla made images for the lively world of Mexican popular publishing. Bullfights, songs, contemporary events, and animated skeletons could appear alongside printed verses on inexpensive sheets. His designs circulated through the workshop of Antonio Vanegas Arroyo, which also published José Guadalupe Posada. The printed object was a collaboration: images could be reused, combined with another artist’s work, or issued after their maker’s death. That history matters when reading a date or attribution. Manilla’s compact scenes invite attention to how a few emphatic figures communicate a story quickly.

Spot an error?

2 works · 1889–1900

Compare the central action with the surrounding text in a broadsheet. What can the image communicate before the words are read?

Original museum reproductions, with source records on every artwork page.

Artist information: The Metropolitan Museum of Art (Broadsheet Relating to the Skeleton from Guadalajara, Broadsheet Relating to the Great Skeleton of the Chin-Chun-Chan), Art Institute of Chicago.

Public-domain art. An imagined museum; no museum affiliation.