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Self-Portrait, Eastman Johnson
Self-portrait, 1889

Eastman Johnson

1824–1906 · Realism · 8 works

Eastman Johnson moved between the individual sitter and the shared activity of a group. Born in Maine, he began a portrait career in the United States before pursuing training in Europe, including Düsseldorf and the Netherlands. His paintings of domestic life, work, and rural gatherings bring narrative possibilities into ordinary settings. A face may receive the concentrated attention of a portrait even within a busy scene. Comparing his self-portraits with Husking Bee, Island of Nantucket shows how light and gesture can organize both a private encounter and a community activity.

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8 works · 1847–1889

In Husking Bee, Island of Nantucket, choose one figure and follow their gesture. How does it connect them to the surrounding group?

Original museum reproductions, with source records on every artwork page.

Artist information: Smithsonian American Art Museum, Art Institute of Chicago.

Public-domain art. An imagined museum; no museum affiliation.