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Nymphs and a Satyr (Amor Vincit Omnia)

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Follow the cupid as he tugs Pan toward the seated woman at right, then find the second cupid behind her and the nymph resting at left.

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Soon after he arrived in Rome, short of money, Poussin turned to popular mythologies like this one. A small cupid pulls Pan, the goat-legged god of the woods, toward Venus, a pun on the Latin motto amor vincit omnia, “love conquers all,” since pan means “all” in Greek. The painting belonged to Cassiano dal Pozzo, one of Poussin’s scholarly patrons in Rome.

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oil on canvas · Framed: 121 x 152 x 7 cm · Cleveland Museum of Art · Baroque

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Details and source

Museum title
Nymphs and a Satyr (Amor Vincit Omnia)
Artist
Nicolas Poussin (French, 1594–1665)
Date
c. 1625–27
Medium
oil on canvas
Dimensions
Framed: 121 x 152 x 7 cm (47 5/8 x 59 13/16 x 2 3/4 in.); Unframed: 97 x 127.5 cm (38 3/16 x 50 3/16 in.)
Credit line
Gift of J. H. Wade
Image license
CC0 1.0 · Public domain
Museum record
Cleveland Museum of Art

Artist’s life 1594–1665

Baroque c. 1600–1750

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Galler’s rooms and hanging scale are imagined. The image is the museum’s original digital reproduction.

Nymphs and a Satyr (Amor Vincit Omnia) · Nicolas Poussin, c. 1625–27
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Nymphs and a Satyr (Amor Vincit Omnia), Nicolas Poussin

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