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Your galleryA Passing Palanquin, from the series "Scenes of Flower-viewing at Ueno (Ueno hanami no tei)"
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Follow the two bearers and their long pole across the middle of the sheet, then find the monk with his staff and the man in a wide straw hat.
Hishikawa Moronobu, whom the Art Institute of Chicago credits as the first true artist of ukiyo-e, designed this sheet about 1681 to 1684 for a series of flower-viewing scenes at Ueno. Two bearers trot past with a closed palanquin, while people stroll in small groups among blossoming shrubs. It is printed in black ink alone, as the earliest Japanese woodblock prints were.
Woodblock print; oban, sumizuri-e · 27.1 × 40.9 cm · Art Institute of Chicago
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Details and source
- Museum title
- A Passing Palanquin, from the series "Scenes of Flower-viewing at Ueno (Ueno hanami no tei)"
- Artist
- Hishikawa Moronobu Japanese, (?)-1694
- Date
- c. 1681/84
- Medium
- Woodblock print; oban, sumizuri-e
- Dimensions
- 27.1 × 40.9 cm (10 11/16 × 16 1/8 in.)
- Credit line
- Kate S. Buckingham Endowment
- Image license
- CC0 1.0 · Public domain
- Museum record
- Art Institute of Chicago
Ukiyo-e c. 1600–1900
View in the AtlasGaller’s rooms and hanging scale are imagined. The image is the museum’s original digital reproduction.