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The Temptation of Saint Anthony

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Count the demons pulling at the saint’s beard, hair and robe, then look at how calm his face stays in the middle of the attack.

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A life of Saint Anthony written in the 300s tells how demons attacked the hermit in the Egyptian desert. Schongauer lifts the struggle into the air: nine monsters, built from parts of reptiles, mammals, fish and birds, grab and strike at the saint, who stays stiff and unmoved. The print traveled far, and in Florence in 1487 the young Michelangelo copied it in paint, his first known painting.

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Engraving in black on cream laid paper · Plate/image: 29.9 × 22.9 cm · Art Institute of Chicago · Late Gothic and Early Renaissance

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Details and source

Museum title
The Temptation of Saint Anthony
Artist
Martin Schongauer German, c. 1430/50-1491
Date
c. 1469/73
Medium
Engraving in black on cream laid paper
Dimensions
Plate/image: 29.9 × 22.9 cm (11 13/16 × 9 1/16 in.); Sheet: 32.4 × 23.6 cm (12 13/16 × 9 5/16 in.)
Credit line
Gift of Mrs. Potter Palmer, Jr.
Image license
CC0 1.0 · Public domain
Museum record
Art Institute of Chicago

Galler’s rooms and hanging scale are imagined. The image is the museum’s original digital reproduction.

The Temptation of Saint Anthony · Martin Schongauer, c. 1469/73
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The Temptation of Saint Anthony, Martin Schongauer

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