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The Beheading of Saint John the Baptist

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Follow the thin red streams down the wall and across the neat grid of the pavement, then compare them with the executioner’s easy stance.

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John’s headless body slumps over the sill of his prison window, and a soldier lowers the head onto a gold platter. The Art Institute of Chicago points to the gap between the bloodshed and the calm faces, and to the executioner sliding his sword back into its sheath. Eleven of the series’ twelve panels survive, six of them in Chicago.

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Tempera on panel · 68.6 × 39.1 cm · Art Institute of Chicago · Renaissance · Late Gothic and Early Renaissance

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Details and source

Museum title
The Beheading of Saint John the Baptist
Artist
Giovanni di Paolo (Italian, 1398–1482)
Date
1455–60
Medium
Tempera on panel
Dimensions
68.6 × 39.1 cm (27 × 15 3/8 in.); Framed: 82 × 53.4 × 7 cm (32 1/4 × 21 × 2 3/4 in.)
Credit line
Mr. and Mrs. Martin A. Ryerson Collection
Image license
CC0 1.0 · Public domain
Museum record
Art Institute of Chicago

Artist’s life 1398–1482

Renaissance c. 1300–1600

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Galler’s rooms and hanging scale are imagined. The image is the museum’s original digital reproduction.

The Beheading of Saint John the Baptist · Giovanni di Paolo, 1455–60
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The Beheading of Saint John the Baptist, Giovanni di Paolo

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